LOTTE AND HER MAÎTRE in the Ö1 Radio Series “Hörbilder” (“Audio Images”)

LOTTE AND HER MAÎTRE
An audioplay
by Susanne Ayoub

Lotte Profohs in her studio. She always painted on the floor.

Tuesday, November 1
10:05 a.m. on Ö1

https://oe1.orf.at/programm/20221101/695539/Das-legendaere-Kuenstlerpaar-Lotte-Profohs-und-Leherb

with Gerti Drassl + Silvia Meisterle + Michael Dangl + Jörg Stelling
Sound engineering by Elmar Peinelt and Jakob Kainz
Edited by Elisabeth Stratka
A production of the ORF Feature Department, 2022

 

Photo by Michael Horowitz
The book cover of Lotte Profohs‘s magnum opus, the picture cycle “Erbarmt euch der Frauen“ (Take Pity on Women).

About the play
The Viennese artist couple Lotte Profohs and Leherb, idolized and admired in the 1960s and 70s, established their success with performances that were scandlous at the time. Lotte’s international career began early when she invented Leherb and herself as fictional characters, remaining on the sidelines as an artist while being omnipresent as a muse and a model. It was a young love that lasted a lifetime, even if it was not a happy relationship. Lotte attempted suicide several times. In middle age she withdrew from public view. Leherb, on the other hand, continued to appear in baroque costumes trimmed with live mice and a stuffed pigeon, until he died in 1997 at age 64. Their drug-addicted son Anselm followed him four years later. Lotte Profohs outlived both of them, surrounded by her dove Arabella and the mice Paul and Pierre, until 2012.

A Congenial Collaboration
Two jointly produced audio recordings present a special aspect of the couple’s congenial collaboration. Autodafé, a sort of surreal audio play with Boy Gobert as narrator, and Irre Gut (Insanely Good), with lyrics written and sung by both artists and musical arrangements by Toni Stricker, remain a revealing and refreshing listening experience to this day.

“Irre Gut” LP
“Autodafé” LP

 

Gerti Drassl in front of Leherb’s controversial monumental work, the faience panels in the foyer of the old Vienna University of Economics.
Silvia Meisterle
Ayoub in the studio with sound engineer Elmar Peinelt
Michael Dangl
Jörg Stelling
Sound engineer Elmar Peinelt
Editor Elisabeth Stratka

BURNING UP – An audio play on the death of Ingeborg Bachmann in Rome

Reports – Memories – Conjectures
on the death of Ingeborg Bachmann

in Rome

An audio play by Susanne Ayoub

TONSPUREN Sunday 17 April 8:15 p.m. and DA CAPO Tuesday 19 April 4:05 p.m.
+ available for 7 days on:
https://oe1.orf.at/programm/20220419/675720/Mutmassungen-zu-Bachmanns-Tod

Ingeborg Bachmann, Rome 1973. Photo Karl Kofler

“I have to admit, I no longer know why I’m living here. I have to admit, life here is like it is everywhere: someday someone will get married, someone will get a professorship, someone will hang themselves, end up in a mental hospital. Everything will be like everywhere. No Colosseum, no Capitol is going to help you get past it.”

(Ingeborg Bachmann)

Ingeborg Bachmann Rome, Café Greco, 1973. Photo Karl Kofler
Translation Geoffrey C. Howes