{"id":2973,"date":"2021-12-22T11:24:38","date_gmt":"2021-12-22T10:24:38","guid":{"rendered":"http:\/\/www.susanneayoub.at\/?page_id=2973"},"modified":"2023-01-02T10:26:48","modified_gmt":"2023-01-02T09:26:48","slug":"engelsgift-hoerbuch","status":"publish","type":"page","link":"https:\/\/www.susanneayoub.at\/en\/engelsgift-hoerbuch\/","title":{"rendered":"ANGEL\u2019S VENOM: AUDIOBOOK"},"content":{"rendered":"<p style=\"text-align: left;\"><span style=\"color: #000080;\">The audiobook version of my first novel, \u201cAngel\u2019s Venom,\u201d is available again, reissued by the Danish publishing house Saga Egmont (Copenhagen 2021).<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2974\" src=\"http:\/\/www.susanneayoub.at\/wp-content\/uploads\/2021\/12\/Engelsgift-Ho\u0308rbuch-Cover-250x250.jpeg\" alt=\"\" width=\"605\" height=\"605\" srcset=\"https:\/\/www.susanneayoub.at\/wp-content\/uploads\/2021\/12\/Engelsgift-Ho\u0308rbuch-Cover-250x250.jpeg 250w, https:\/\/www.susanneayoub.at\/wp-content\/uploads\/2021\/12\/Engelsgift-Ho\u0308rbuch-Cover-150x150.jpeg 150w, https:\/\/www.susanneayoub.at\/wp-content\/uploads\/2021\/12\/Engelsgift-Ho\u0308rbuch-Cover.jpeg 600w\" sizes=\"auto, (max-width: 605px) 85vw, 605px\" \/><\/p>\n<p style=\"margin: 0cm 0cm 7.5pt; text-align: left;\"><span lang=\"EN-US\" style=\"font-family: Courier; color: #000080;\"><span lang=\"EN-US\"><br \/>\nThree excerpts:<\/span><\/span><\/p>\n<blockquote><p><span style=\"color: #000080;\"><strong>P<\/strong>overty is the pinch of shoes that are too tight because children\u2019s feet grow so quickly. Poverty is being sick without medicine because the doctor\u2019s fees are unaffordable. <\/span><\/p>\n<p><span style=\"color: #000080;\">Poverty is soup kitchen fare, a seat at a table in a charitable shelter where the needy sleep sitting up. They have no bed. Poverty is the glad feeling in frozen fingertips warming by a fire on a cold winter night. Poverty is a pauper\u2019s grave. <\/span><\/p>\n<p><span style=\"color: #000080;\">Poverty is where romanticism has no home, only pain and dark rage against the others who have everything and keep it from you, as if you didn\u2019t have the same right as they have to survive.<\/span><\/p>\n<p><span style=\"color: #000080;\">\u201cAs a young girl I liked to imagine what it would be like to be poor. Really poor, like in The Little Matchstick Girl, Hansel and Gretel, or The Star Money, freezing and hungry and all alone in the world,\u201d Marie Horvath says. She can imagine the child with bare feet in oversized clogs, but not that this child owned no other shoes. <\/span><\/p>\n<p><span style=\"color: #000080;\">I rewind the thread of fate, from me back to Karoline, to her beginnings, which themselves are nothing but a continuation. Lotte Loew, at the window in the signalman\u2019s hut, dreaming like the mute husband over his postage stamps, two disillusioned people at my mother\u2019s cradle. They too deserve my attention, they too had their reasons, their motivations, they too carried on. The ball of blame is tossed backwards from generation to generation, until the trail gets lost in the past, in faceless ancestors. In the artfully fashioned mesh, interwoven by encounters and circumstances, torn, knotted, and patched, I seek out my story. And Marie Horvath, that child of her times, listens, intent yet impatient, because I distance myself farther and farther from what she calls the essence, the story, the scandal, from Karoline\u2019s unimaginable transgression.<\/span><\/p>\n<p><span style=\"color: #000080;\"><em>****************************************************************<\/em><\/span><\/p>\n<p><span style=\"color: #000080;\">That Kritsch had taken Karoline in like a daughter of his own was no empty phrase. In the evening, behind locked doors, he made her dress in little girl\u2019s clothes. He plaited her long hair into braids and hung a schoolbag on her back. Then he fumbled in her panties, growing aroused by her resistance, feigned or unfeigned. Everyone knew about it, no one cared about it. Karoline herself seemed content with her situation. \u00a0\u00a0\u00a0<\/span><\/p>\n<p><span style=\"color: #000080;\">\u201cHe wanted to educate and raise her, to make her into a proper young woman who could move in his social circles, sit at our table as our coequal. But of course that was out of the question. We really thought that was going too far.\u201d <\/span><\/p>\n<p><span style=\"color: #000080;\">\u201cGet to the point, Herr Kritsch.\u201d The examining magistrate rapped impatiently on the thick dossier on his desk. \u201cDo you have anything to say that will help solve this crime? I have sent for the old autopsy report. Moritz Kritsch was seventy. High blood pressure, hardened arteries, overweight, cause of death brain stroke. The report leaves no doubt that your father died a natural death.\u201d <\/span><\/p>\n<p><span style=\"color: #000080;\">\u201cHe had just taken out life insurance with her as the beneficiary! Doesn\u2019t that sound familiar to you, Herr Councilor? And no one became suspicious in these cases, neither the aunt nor the lodger woman, isn\u2019t that right?\u201d Johann Kritsch leaned in conspiratorially toward the judge. \u201cI know it wasn\u2019t poison, that was settled clearly at the time. But she drove him to his death, she goaded him and provoked him until she blew out the flame of his life, just as if she had laid hands on him herself! That\u2019s what a cold-blooded criminal she is!\u201d<\/span><\/p>\n<p><span style=\"color: #000080;\">\u201cPrepare yourself for the end,\u201d the doctor said. That night, Karoline had hastily called him to her husband\u2019s sickbed. \u201cThere is no more hope.\u201d Karoline was still wearing the schoolgirl\u2019s dress she\u2019d put on for Kritsch, the short little skirt with the white lace panties under it that were open at the crotch, exposing her red pubic hair when she bent over. \u201cYou\u2019re sick. The doctor says you need rest,\u201d she\u2019d protested. \u201cDrink your bouillon, you promised you would, Kritsch.\u201d <\/span><\/p>\n<p><span style=\"color: #000080;\">But he didn\u2019t feel like soup, he felt the end approaching and clung to life with his last bit of strength. \u201cJust once more, to make me happy. Do it for me, my love,\u201d he begged, and so Karoline slipped reluctantly into the tight-fitting children\u2019s clothes and showed him her backside. He reached between her white thighs, except this time it was no longer desire that made him pant and gasp, but death, which pressed on his heart with its broad, implacable hand. Karoline ran, dressed as she was, to get help, and in her fright she didn\u2019t even notice the doctor\u2019s leer. She knelt next to Kritsch\u2019s bed and laid her head on his enfeebled hand. <\/span><br \/>\n<span style=\"color: #000080;\">\u201cDon\u2019t leave me, how can I live without you, come back, Kritsch, darling, my beloved husband!\u201d<\/span><\/p>\n<p><span style=\"color: #000080;\">The doctor made a snide face at this performance. Like everyone else, he knew that Karoline was merely lying in wait for the old man to die. No one felt sorry for him, he was just reaping what he\u2019d sown. Karoline\u2019s extravagance, her greed for jewelry and clothes and furs, which grew with every year, would have ruined Kritsch if only he\u2019d had enough time left. <\/span><\/p>\n<p><span style=\"color: #000080;\">****************************************************************<\/span><\/p>\n<p><span style=\"color: #000080;\">Pain seized Karoline. It ran along her spine, pierced her muscles and tender fatty tissue, burrowed into the coils of her intestines, and eventually flooded her whole body. As this wave ebbed away, because the obstacle she was trying so violently to push into the light would not budge, she whimpered, weak and relieved. The stars twitched in the sky above her head. A dress rustled by her ear, a hand wiped the sweat from her brow. She smelled vinegar, which was supposed to refresh her temples, and disinfectant soap on the hand that pressed the sponge against her face. The blanket covering her tortured body was pulled off. She winced at the skillful fingers that were poking her, fumbling, probing. They awakened the pain that had been waiting for this moment and now bit into her flesh with a thousand teeth. <\/span><\/p>\n<p><span style=\"color: #000080;\">\u201cNo,\u201d she cried. \u201cNot again. I can\u2019t take anymore!\u201d But the great flood was already in her, breaking against the obstacle, straining and tearing at her. She heard a siren\u2019s sound, strange and shrill, which broke off at its peak and sank back into a breathlessly strangling gurgle: her own voice. \u201cJust breathe calmly. Deep breaths, in and out. Don\u2019t cry, that will only sap your energy.\u201d <\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #000080;\">Then there was no more breath, only a raging sun in her viscera, igniting a huge fire, scorching her, burning her up. The wave no longer pushed outward, it thrashed back and forth, setting the obstacle in motion, the great solar orb itself. The obstacle, the infernal agony, the child. Her son. Me.<\/span><\/p>\n<p><em>English<\/em><em> translation by Geoffrey C. Howes<\/em><\/p><\/blockquote>\n<p style=\"text-align: right;\">\n","protected":false},"excerpt":{"rendered":"<p>The audiobook version of my first novel, \u201cAngel\u2019s Venom,\u201d is available again, reissued by the Danish publishing house Saga Egmont (Copenhagen 2021). &nbsp; Three excerpts: Poverty is the pinch of shoes that are too tight because children\u2019s feet grow so quickly. Poverty is being sick without medicine because the doctor\u2019s fees are unaffordable. Poverty is &hellip; <a href=\"https:\/\/www.susanneayoub.at\/en\/engelsgift-hoerbuch\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;ANGEL\u2019S VENOM: AUDIOBOOK&#8221;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":3839,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2973","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.susanneayoub.at\/en\/wp-json\/wp\/v2\/pages\/2973","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.susanneayoub.at\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.susanneayoub.at\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.susanneayoub.at\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.susanneayoub.at\/en\/wp-json\/wp\/v2\/comments?post=2973"}],"version-history":[{"count":12,"href":"https:\/\/www.susanneayoub.at\/en\/wp-json\/wp\/v2\/pages\/2973\/revisions"}],"predecessor-version":[{"id":3840,"href":"https:\/\/www.susanneayoub.at\/en\/wp-json\/wp\/v2\/pages\/2973\/revisions\/3840"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.susanneayoub.at\/en\/wp-json\/wp\/v2\/media\/3839"}],"wp:attachment":[{"href":"https:\/\/www.susanneayoub.at\/en\/wp-json\/wp\/v2\/media?parent=2973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}